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Showing posts with label Dovima. Show all posts
Showing posts with label Dovima. Show all posts
Tuesday, April 18, 2017
Wednesday, May 27, 2015
DOVIMA AND AVEDON - PARIS 1950
Fath's reversible red satin evening dress, flaring below the knee. The cape is in green - the reverse side of the satin - and held by two cufflike bands of mink
Dior's steel gray ottoman with taffeta panels in lighter grays
Chaumont's white tulle with bias skirt
Chaumont's silk sheath in olive satin
Balenciaga's gold-embroidered sheath, with a chiffon jacket
Gres's arum lily - white satin over lemon jersey
Fath's huge stole over beige faille
Gres's red faille showing white jersey in front
Balenciaga's satin basque, heavily jewelled, over pale pink tulle
Balenciaga's white satin dress with a tight bodice embroidered with rubies and pearls.
The Evening Fashion at the Paris Openings
Harper's Bazaar September 1950
Photography: Richard Avedon
Model: Dovima
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| ... eyes on the fifties at devodotcom |
Friday, April 10, 2015
THE LOOK FANTASTIC 1952
mainbocher
the dinner dress
day-length with an intricacy of straps that makes a great point of good chest and shoulders - silk lame brocaded with golden threads. Jewels, van cleef and arpels
the dinner suit
jean patchett in mainbocher's gray cut velvet dinner suit. the jacket buttons to fit like a bolero, the strap of the bodice is mounted with a big bow of pale gray mousseline de soie.
this is the way givenchy grows roses
"everywhere one looks in paris there are those roses - sometimes in tapestry, once in ivory, often of beads - heaped on shoulders, hidden in petticoats and, particularly, when used by givenchy, flamboyantly romantic."
above - king sized, planted above a black velvet dress. the stole rises above bare shoulders like a ruff - the woman's arms plunge through great rosy handcuffs.
suzy parker in givenchy's deep red roses. a bolero of a thousand chiffon petals piled above a strip of black wool. darker than the roses, and velvet, the back-of-the-head turban.
the fifties party face
"brush your hair upwards for the lifted look it gives. make your eyes with pencil lines slanting towards the temples. make your mouth to tilt high in the corners. this is the season that shows in your face."
the italian haircut
on the rock shores of ishia and capri, the film studios of rome - another shape. studied but with great naturalness, front and sides full and wavy, high behind the ears but gripping the back of the head, well down the neck with feathery, nibbled ends. the head looks bigger, the hair never moves.
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| ... eyes on the fifties at devodotcom |
Wednesday, April 1, 2015
DIVINE DOVIMA
Maximilian Crown Sables worked horizontally in a cape with long stole-like ends crossed high in front, the back draping low, like a cowl.
The Skins of Somali Leopards ... in a hip-length coat belted for the smart new tunic line by Bernham-Stein.
Balenciaga's velvet domino cut with enormous sweep, enormous melon sleeves and an enormous coachman's collar.
Mainbocher - white chiffon tunic embroidered with crystal and gold, over a full chiffon flounce. Jewels by Harry Winston.
Under black flowered lace, a pale green velvet camisole and a thick,short skirt of doubled gold satin edged with black passementerie. Dress by Mainbocher, jewels by Cartier.
Mainbocher's white mink on gray English herringbone lined with white satin. The white chiffon blouse embellished with rhinestones and crystal.
Gun Metal, Gold and Rock Rubies - a Christmas ball dress from Dior
Harper's Bazaar December 1950
Animal Magnetism
At a Christmas Ball
Mainbocher Evenings
Photography: Richard Avedon
Mode: Dovima
Visit more Dovima fashion photographs in our archives
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| ... eyes on the fifties at devodotcom |
Wednesday, January 28, 2015
HOT WEATHER DRESSES FOR ALL AMERICA 1956
Edward Henry Molyneux
"An Englishman who succeeded in bridging the Channel with a career among the greatest of French couturiers."
Mainbocher's Coated Cottons
Jean Patchett in the dress and its coat of navy and white checked gingham. Jewels by Schlumberger for Tiffany. Dawnelle gloves.
Dovima wears white cotton with a blue fish-net printing. Sleeveless dress with a straight-hung jacket topped with a long unsleeved coat.Dawnelle gloves.
Mainbocher: Tweed with Gingham, Lace over Taffeta
Mauve tweed, mauve-checked gingham in a slackly fitted tweed suit with a peeled back collar to show the gingham blouse underneath, wrapped at the shoulders with a Matching gingham scarf.
Mainbocher's favourite scarf wrapping up his slender two-part evening dress and jacket in pale violet taffeta filmed over with lace.
Chiffon - A New Light After Dark
Nettie Rosenstein chiffon printed in leaf shadows flowing past closely ribboned waist.
Anne St. Marie wears a short-skirted, barely sleeved dinner dress with V'd back in green and white cotton by Anthony Blotta.
The Sheath by Talmack in apricot shantung Paisley'd in pink and gilt cut touching only at shoulder and hip.
The Pajama Dress
Thickly patterned white lace by Talmack.
The Fichu Dress
Red-Dotted cotton with a fichu-cape buttoned into sleevelets in back, bow-tied in front. By Fabiana, adapted by Hannah Troy.
Cotton chiffon in black with coppery coin-dot stripes by Oleg Cassini. Mr. John Hat.
Minty-green leaf print gathered under a moss green velvet ribbon. The bodice, widely decollete. The skirt flung out over a layering of petticoats. By Jobers. Adolfo of Emme hat. Crescendoe gloves.
Owen-Morgan emerald linen with a deep triangle back and gracefully moving skirt.
Far Right: The long sleeved green polished cotton shirtwaist by Elfreda
Cool Fashion:
Dressing for the American Summer
Harper's Bazaar June 1956
Photography:
Richard Avedon
Lillian Bassman
Tom Palumbo
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| ... eyes on the fifties at devodotcom |
Monday, January 19, 2015
SUNSET PINK 1951
The Sunset Unlimited Coat by LoBalbo
Above: Ceil Chapman's pink velveteen top with organdie skirt
Below: Cole of California
Setting: Camelback Inn, Phoenix
Sackcloth and Jeweled
Oxford gray rayon denim, with boyish little pants and molded, shoestring strapped bodice by Bur-Mil
The Wets and The Wilds
Caltex
White terry-cloth front-zip overall
Shorter slacks and bared midriff top in navy blue French linen by John Miller
Pink Miron Flannel shorts and Miron jersey overblouse by M.Sloat
De Pinna
Burnt-orange toweling, edged with black braid worn over black toweling pants.
Sea Island, Georgia
Carolyn Schnurrer
Long straight shirt and narrow jodhpurs in buttermilk sharkskin
B.H.Wragge
Moygashel linen long shirt-dress with rhinestone buttoons
Foreground: Honan silk with black mosaic buttons
Joset Walker
Halter and tiny round shorts
Southwest Passage - Sunset Pinks
Harper's Bazaar January 1951
Photography:
Richard Avedon
Lillian Bassman
The Wets and The Wilds
Sackcloth and Jeweled
Photography: Toni Frissell
Cover Model: Dovima
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| ... eyes on the fifties at devodotcom |
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