Showing posts with label Dovima. Show all posts
Showing posts with label Dovima. Show all posts

Tuesday, April 18, 2017

VOGUE SPRING 1953


Ruth Nuemann
Valentina





Gloria Vanderbilt





Lisa Fonssagrives
Traina-Norell




Claire Potter



Dior




Dovima

the summer coat in Everglaze cotton




Ceil Chapman





Vanity Fair
Herbert Matter




Vogue April 15, 1953
Cover Photography: Erwin Blumenfeld
Cover Design: Valentina


eyes on the fifties at devodotcom

Wednesday, May 27, 2015

DOVIMA AND AVEDON - PARIS 1950










Fath's reversible red satin evening dress, flaring below the knee. The cape is in green - the reverse side of the satin - and held by two cufflike bands of mink











Dior's steel gray ottoman with taffeta panels in lighter grays










Chaumont's white tulle with bias skirt











Chaumont's silk sheath in olive satin











Balenciaga's gold-embroidered sheath, with a chiffon jacket












Gres's arum lily - white satin over lemon jersey
Fath's huge stole over beige faille
Gres's red faille showing white jersey in front
Balenciaga's satin basque, heavily jewelled, over pale pink tulle 












Balenciaga's white satin dress with a tight bodice embroidered with rubies and pearls.






The Evening Fashion at the Paris Openings
Harper's Bazaar September 1950
Photography: Richard Avedon
Model: Dovima



... eyes on the fifties at devodotcom

Friday, April 10, 2015

THE LOOK FANTASTIC 1952




mainbocher

the dinner dress 
day-length with an intricacy of straps that makes a great point of good chest and shoulders - silk lame brocaded with golden threads. Jewels, van cleef and arpels









the dinner suit

jean patchett in mainbocher's gray cut velvet dinner suit. the jacket buttons to fit like a bolero, the strap of the bodice is mounted with a big bow of pale gray mousseline de soie.












this is the way givenchy grows roses



"everywhere one looks in paris there are those roses - sometimes in tapestry, once in ivory, often of beads - heaped on shoulders, hidden in petticoats and, particularly, when used by givenchy, flamboyantly romantic."

above - king sized, planted above a black velvet dress. the stole rises above bare shoulders like a ruff - the woman's arms plunge through great rosy handcuffs.







suzy parker in givenchy's deep red roses. a bolero of a thousand chiffon petals piled above a strip of black wool. darker than the roses, and velvet, the back-of-the-head turban.












the fifties party face


"brush your hair upwards for the lifted look it gives. make your eyes with pencil lines slanting towards the temples. make your mouth to tilt high in the corners. this is the season that shows in your face."









the italian haircut


on the rock shores of ishia and capri, the film studios of rome - another shape. studied but with great naturalness, front and sides full and wavy, high behind the ears but gripping the back of the head, well down the neck with feathery, nibbled ends. the head looks bigger, the hair never moves. 





... eyes on the fifties at devodotcom

Wednesday, April 1, 2015

DIVINE DOVIMA




Maximilian Crown Sables worked horizontally in a cape with long stole-like ends crossed high in front, the back draping low, like a cowl. 










The Skins of Somali Leopards ... in a hip-length coat belted for the smart new tunic line by Bernham-Stein.













Balenciaga's velvet domino cut with enormous sweep, enormous melon sleeves and an enormous coachman's collar.











Mainbocher - white chiffon tunic embroidered with crystal and gold, over a full chiffon flounce. Jewels by Harry Winston.









Under black flowered lace, a pale green velvet camisole and a thick,short skirt of doubled gold satin edged with black passementerie. Dress by Mainbocher, jewels by Cartier.










Mainbocher's white mink on gray English herringbone lined with white satin. The white chiffon blouse embellished with rhinestones and crystal.











Gun Metal, Gold and Rock Rubies - a Christmas ball dress from Dior






Harper's Bazaar December 1950
Animal Magnetism
At a Christmas Ball
Mainbocher Evenings
Photography: Richard Avedon
Mode: Dovima


Visit more Dovima fashion photographs in our archives



... eyes on the fifties at devodotcom

Wednesday, January 28, 2015

HOT WEATHER DRESSES FOR ALL AMERICA 1956



Edward Henry Molyneux

"An Englishman who succeeded in bridging the Channel with a career among the greatest of French couturiers."









Mainbocher's Coated Cottons

Jean Patchett in the dress and its coat of navy and white checked gingham. Jewels by Schlumberger for Tiffany. Dawnelle gloves.











Dovima wears white cotton with a blue fish-net printing.  Sleeveless dress with a straight-hung jacket topped with a long unsleeved coat.Dawnelle gloves.












Mainbocher: Tweed with Gingham, Lace over Taffeta

Mauve tweed, mauve-checked gingham in a slackly fitted tweed suit with a peeled back collar to show the gingham blouse underneath, wrapped at the shoulders with a Matching gingham scarf.









Mainbocher's favourite scarf wrapping up his slender two-part evening dress and jacket in pale violet taffeta filmed over with lace.











Chiffon - A New Light After Dark
Nettie Rosenstein chiffon printed in leaf shadows flowing past closely ribboned waist.







More Light After Dark - The Green and the Gold

Anne St. Marie wears a short-skirted, barely sleeved dinner dress with V'd back in green and white cotton by Anthony Blotta.









The Sheath by Talmack in apricot shantung Paisley'd in pink and gilt cut touching only at shoulder and hip.








The Pajama Dress

Thickly patterned white lace by Talmack.










The Fichu Dress

Red-Dotted cotton with a fichu-cape buttoned into sleevelets in back, bow-tied in front. By Fabiana, adapted by Hannah Troy.













Cool Fashion: The Lightweights

Cotton chiffon in black with coppery coin-dot stripes by Oleg Cassini. Mr. John Hat.










Minty-green leaf print gathered under a moss green velvet ribbon. The bodice, widely decollete. The skirt flung out over a layering of petticoats. By Jobers. Adolfo of Emme hat. Crescendoe gloves.









Owen-Morgan emerald linen with a deep triangle back and gracefully moving skirt. 

Far Right: The long sleeved green polished cotton shirtwaist by Elfreda




Cool Fashion:
Dressing for the American Summer
Harper's Bazaar June 1956
Photography:
Richard Avedon
Lillian Bassman
Tom Palumbo


... eyes on the fifties at devodotcom

Monday, January 19, 2015

SUNSET PINK 1951


The Sunset Unlimited Coat by LoBalbo






Above: Ceil Chapman's pink velveteen top with organdie skirt
Below: Cole of California
Setting: Camelback Inn, Phoenix





Sackcloth and Jeweled


Oxford gray rayon denim, with boyish little pants and molded, shoestring strapped bodice by Bur-Mil







The Wets and The Wilds

Caltex

White terry-cloth front-zip overall








Shorter slacks and bared midriff top in navy blue French linen by John Miller






Pink Miron Flannel shorts and Miron jersey overblouse by M.Sloat







De Pinna

Burnt-orange toweling, edged with black braid worn over black toweling pants.








Sea Island, Georgia

Carolyn Schnurrer

Long straight shirt and narrow jodhpurs in buttermilk sharkskin








B.H.Wragge

Moygashel linen long shirt-dress with rhinestone buttoons
Foreground: Honan silk with black mosaic buttons






Joset Walker

Halter and tiny round shorts









Southwest Passage - Sunset Pinks
Harper's Bazaar January 1951
Photography: 
Richard Avedon
Lillian Bassman
The Wets and The Wilds
Sackcloth and Jeweled
Photography: Toni Frissell
Cover Model: Dovima



... eyes on the fifties at devodotcom