Showing posts with label Harper's Bazaar September 1965. Show all posts
Showing posts with label Harper's Bazaar September 1965. Show all posts

Thursday, February 5, 2015

THE SIXTIES - THE SHRIMP - THE FALL COLLECTIONS




In Paris, today is tomorrow. Monsieur Alexandre sees Jean Shrimpton as the beautiful woman of the future. The abstract coiffure, an oblong of polished hair created for Harper's Bazaar.












Dior's silver lame edged from neck to hem in pearls and silvered rhinestones blown back into Marc Bohan's most alluring silhouette, looped cowl within cowl.








Lanvin's feathery fantasy by Jules-Francois Crahy. A champagne froth of ostrich feathers scattered on lace and organza.








Cardin's angelic dinner dress. White crepe shirred at the neckline with hem-stitched edged sleeves like folded wings.









Forquet's Roman draperies, wrapped and hooded. The dress, a black crepe toga with one long sleeve. The other sleeve billowing white silk.










From Gres, a winged dress of aubergine satin. Deep V-plunge front and back, slit to the knee at the sides.







Saint Lauren't beautifully bared black crepe. The midriff exposed and centred with a jewel-clasped point below a cowl- draped kerchief top that ties in a casual knot at the back.







Bias-cut backless evening dress from Irene Galitzine. A spiral sheath of cloque draped from an asymmetrical halter neckline.










Balmain's romantic fur. Long-haired brown sable collar and cuffs piled on short-haired nutria jacket. Sable hat.






Herrera and Ollero's cascading headdress in midnight blue tulle cut and crunched like ribbons, scattered with red anemones.







Saint Laurent's rose pink gaberdine short dinner dress, bound in emerald green, gathered onto a bias skirt edged in green at the hem.








Another Saint Laurent short dinner dress. Diamante-sparkled sleeves and square yoke gathered onto liquid green silk crepe that flows with the body.









Dior's op-art shifting squares and diagonals by Marc Bohan.





Cardin's Bandit-hooded white whipcord coat



Dior's side-buttoned high, banded closing  coat





Pedro Rovira ... Roger Vivier ... 



Dior ... Patrick de Barentzen ... Venet







Capucci's optical illusion evening dress intricately woven from black and white satin ribbon.   Castillo's op-artful jacket in sparkling zig-zag jet pattern paved in sequins worn open over a shaft of white satin.








Veneziani. Black and white harlequin glitter of black beading and silver Lurex on white wool.







A fall of feathers from Dior.  A soft bonnet of ostrich feathers in palest gray over a beige crepe dress.









Saint Laurent's 'Dress of Tomorrow' abstract inspired by Mondrian.







Black grosgrain stripes on acid green wool, by Saint Laurent.







Dior's sleek longer jacket, hitting the hipline in charcoal and black jigsaw check over matching slim skirt gathered in front.









Nina Ricci's new big coat with Gerard Pipart side-closure  buttons.







From Cardin, a new cape, shaped with welt seams, double-breasted and hip-length over a sleeveless dress welted at the neck and pockets.





This Woman Is You
Harper's Bazaar September 1965
Photography: Richard Avedon
Collage: Denzinger
Model: Jean Shrimpton



... eyes on the sixties by devodotcom






















Friday, April 8, 2011

POP ART AND FASHION - JEAN SHRIMPTON - AVEDON - KATHARINA DENZINGER


Dior 
Op-art shifting squares and diagonals
Marc Bohan captures the gaiety and sprit of the Paris Suit







THIS WOMAN IS YOU 
PARIS 1965



JEAN SHRIMPTON

Born in 1942, and internationally famous by the age of eighteen, Shrimpton was an icon of London’s ‘Swinging Sixties’ and one of the fashion world's first supermodels. She was dubbed the ‘It Girl’ and ‘The Face’, landing the covers and major fashion spreads of all of the top international fashion magazines. Her relationship with rising star fashion photographer David Bailey created international fame for both of them in their respective careers with Shrimpton being Bailey’s muse and his photographs of her promoting him to the top echelon of fashion photographers. Their affair lasted four years and will soon be  featured in a biopic on Bailey with Karen Gillan playing Shrimpton.


A FALL OF FEATHERS
Dior flutter of ostrich feathers - the softest bonnet





Paris, 1965 - Today is Tomorrow - Monsieur Alexandres of Paris sees Jean Shrimpton as the beautiful woman of the future. This abstract coiffure created for Harper's Bazaar - an oblong of polished hair.


THIS WOMAN IS YOU
In Irene Galitzine's bias-cut backless evening dress with assymetrical halter neckline





Saint Laurent
Dress of Tomorrow 
The assertive abstraction, a semiphore flag. Red jersey helmut





Saint Laurent 
The Utterly This-Moment Coat





Cardin's angelic long dinner dress




Lanvin's Feathery Fantasy




Saint Laurent


Saint Laurent
The Short Young Dinner Dress




Veniziani


Black and white harlequin glitter - diamond pattern of black beading and silver Lurex on flat white wool.




Forquet

Roman draped and hooded. The dress, a black crepe toga with one long sleeve: the other, a huge balooning of white silk.




Gres

Wing-sleeved dress of aubergine satin



Herrera and Ollero

Cascading headdress



Balmain

Romantic Fur - warm brown sable collar on nutria






Katharina Denzinger Collages 



Made from Richard Avedon Photographs




Dior
Silvery lame evening edged from neck to hem in pearls and silvered rhinestones.


Harper's Bazaar
September 1965
Photography: Richard Avedon
Illustration: Katerina Denzinger
Model: Jean Shrimpton

... eyes on the sixties at devodotcom