Thursday, May 19, 2016
Wednesday, May 18, 2016
"news in cardigans" red moleskin over rayon crash sheath by Arnheimer leans on a 1949 Cadillac with 160-hp. engine.
Clare Potter sleeveless blouse in menswear shirting with Moygashel linen skirt leans against a Buick Roadmaster convertible with Dynaflow drive.
"cool coverage" beige rayon crash duster over silk shantung camisole dress by Vera Maxwell. Dorfan bag - Alfred Dunhill; Rawhide case - Oshkosh. 1949 Packard station sedan.
suit and helmut of grey wool jersey from Paris, Jo Hughes - clipped black pearl silver fox by Esther Dorothy. Hat by Suzy. 1949 handmade Jaguar convertible from Hoffman Motors.
pink cotton voile by Charles Nudelman in Chrysler's mahogany-panelled "Town & Country" convertible.
fashions from the editorial "America Through the Windshield" The joys of detours, motels, and the eccenticities of filling-station men by Lewis Gannett
Vogue May 15, 1949
Photography: Herbert Matter; Serge Balkin
|...eyes on the forties at devodotcom|
Monday, February 1, 2016
Friday, January 29, 2016
Tuesday, January 19, 2016
Principessa Helen Wolkonsky
Donna Milagros del Drago in the Palazzo Rispoli ... Donna Marelia Caracciolo dei Principi de Castagneto ... Principessa Letizia Boncompagni Ludovisi
All four young ladies of Roman society gowned by Contessa Gabriella di Robilant
Wallace Simpson in Mainbocher
Christian Dior's tapered oval shoulder interpreted for America by Larry Aldrich - pearls by Coro
Maud et Nano's "Nursery Maid" hat
Ceil Chapman chiffon and Coro pearls
Veronica Lake in Castillo's long, close coat of dark satin photographed by Avedon
Harper's Bazaar July 1947
|eyes on the forties at devodotcom|
Thursday, December 24, 2015
Day-with-the-grandson costume by Fred Greenberg - feather toque, long gloves, sables, cultured pearls.
Photography: Norman Parkinson
wrap it up!
Dior's mink fullness, sharply belted
Paris: The bulky coat
Desses' immense black fox, crossed stole collar; peaked velvet hat
Sheila-Lynn cape-collared coat dress ...Harold Rubin black fox muff, ropes of cultured pearls with ropes of pseudo pearls all by La Tausca
In The Plot: The Blonde Bag
by Nettie Rosenstein
The Beautiful Accessory: The Long Glove
The Devil's In The Details
Important dress; important colour - one of the deep definite reds that have helped build many a beauty's reputation as a beauty. Made to order in Couturier No. 525 photographed by Norman Parkinson at the Terrace Room, Hotel Plaza
Spectacular: The bold, bare, short evening dress with pailletted bodice, tulle tunic, vamp skirt. Worn with a hat and chandelier earrings. Jacques Fath, winner of the 1949 Neiman Marcus fashion award.
Long, a tradition - Balmain, Desses, Lanvin - pale and sweeping for a ball
The Ball Dress - Long and Blue
Vogue September 1949
New York, Paris
|the forties at devodotcom|
Tuesday, November 10, 2015
Saturday, October 31, 2015
The shoulder takes a curve
the long fitted body sweep, the typoical Dior box-pleated skirt.
bonnet - hattie carnegie
simulated pearls by miriam haskell
photo louise dahl-wolfe
thin white rayon dress by clare potter
the coolest dress in the world is chiffon by Ceil Chapman
coro simulated pearls
Maud et Nano's "nursery maid" hat, a white Milan straw cloche, with crown and streamers of gray and white polka-dotted crepe.
black straw cloche, the short brim hung with lilacs to give the look of a wig of flowers.
made to order bergdorf goodman
"the dream" balthus
principessa helen wolkonsky
donna marella caracciolo dei Principi di castagneto
roman women are beautiful
photographs leslie gill
Oval shoulders, like those of an exquisite ming princess, trace a new line in Castillo's long, close coat of dark satin. It is worn by Veronica Lake, soon to star in Paramount's "Saigon".
Photograph Richard Avedon
Harper's Bazaar July 1947
Tuesday, September 15, 2015
The crashing non-euphoria of New York subway life may someday be recorded by a modern Dickens or Daumier. The setting is a sociological gold mine awaiting a major artist. Meanwhile it can be the dream 'location' for any portrait photographer weary of the studio and of the horrors of vanity. Down in the swaying sweatbox he finds a parade of unselfconscious captive sitters, the selection of which is automatically destined by raw chance.
The portraits on these pages were caught by a hidden camera, in the hands of a penitent spy and an apologetic voyeur. But the rude and impudent invasion involved has been carefully softened and partially mitigated by a planned passage of time. These pictures were made twenty years ago, and deliberately preserved from publication.
As it happens, you don't see among them the face of a judge or a senator or a bank president. What you do see is at once sobering, startling and obvious: these are the ladies and gentlemen of the jury.
The guard is down and the mask is off: even more than when in lone bedrooms ( where there are mirrors ), people's faces are in naked repose down in the subway. To test and examine this special state, Walker Evans spent weeks underground, strapped to a Leica.
His hunt there for true portraiture netted a sizeable stack of remarkable prints: eight are produced here.
Evans' most comprehensive book, 'American Photographs', appears next month in a new edition published by the Museum of Modern Art and Doubleday.
Walker Evans: The Unposed Portrait
Harper's Bazaar March 1962
Photography: Walker Evans