Showing posts with label John Gruen. Show all posts
Showing posts with label John Gruen. Show all posts

Monday, December 10, 2012

THE NEW YORK ART SCENE 1966

WELCOME
Frank Stella

TO
Ellsworth Kelly
Judith Heidler in Mollie Parnis

THE
Don Judd 
Julie Judd in Teal Traina

NEW
Paul Thek
Laura Morse in Bill Blass for Maurice Retner

YORK
Guy de Rougemont
Benedetta Barzini in Ginala

ART
Salvatore Scarpitta
Susan Porter in Adele Simpson

SCENE
Robert Watts aka Dr. Bob
Dorothy Herzka in Christian Dior-New York

1966
Sven Lukin
Jessie Saunders in Geoffrey Beene


PHOTOGRAPHS
Edward Avedesian
Linda Perlman in Oscar de la Renta for Jane Derby

BY
Enrique & Castro-Cid 
Sylvia Castro-Cid in Chester Weinberg


FRANCESCO SCAVULLO
John Gruen
Jane Wilson in Chuck Howard of Townley


Harper's Bazaar July 1966
On The New York Art Scene
Photography: Francesco Scavullo

... eyes on art at devodotcom


Sunday, September 5, 2010

THE MAGICAL PHOTOGRAPHY OF DIANE ARBUS



when did you stop loving me...when did i stop loving you?
Marvin Gaye






Fashion Independents: On Marriage
Mr. and Mrs. Paul Lester Wiener
DIANE ARBUS


"If Ovid possessed the secret of successful marriage when he wrote '"If thou wouldst marry wisely, marry thy equal,"' then the eight lovely ladies and their distinguished gentlemen on these pages bear contemporary evidence to his ancient prescription. Perfectly balanced with each other, their lives - and their looks - are as vigourously independent as their views on the interesting state of matrimony."






Georgiana and Armando Orsini
DIANE ARBUS






Isabel and Fred Eberstadt
DIANE ARBUS






Jane and John Gruen
DIANE ARBUS


Penetrating Light

"Another crucial element of Arbus' technique was her use of lighting. During the daytime she would usually rely on natural light, which would often produce an ambient effect, placing the photograph at a specific time of day. The portrait of John Gruen and Jane Wilson shot for Harper's Bazaar in 1965 features light so bright that it engulfs the entire room and suggests an afternoon shoot.



The photograph also illustrates Arbus' use of strong, almost overpowering, backlighting. In this photo and in many others (but more noticeable in her commercial work) the incoming light from the background windows blurs the physical boundaries of their frames and produces an ethereal effect that adds a dreamy prominence to the subjects because of the high contrast lighting conditions.


Beginning in the early 60s, when natural lighting wasn't available or sufficient, Arbus would often use flash. Besides illuminating an area, Arbus' use of flash in many instances produced a distorted effect that heightened the surreal feeling of her work."

From The Disctinctions of Diane Arbus by Honeysuckle Sleeper



 




Hope Bryce and Otto Preminger
DIANE ARBUS



Eliette and Herbert Von Karajan





Gilbert and Kitty Miller
DIANE ARBUS





Elizabeth of Yugoslavia and Howard Oxenberg
HARPER'S BAZAAR MAY, 1965 ...
DIVORCED 1966



Fashion Independents: On marriage
Harper's Bazaar May, 1965
Photography: Diane Arbus


arbus admin girl @devodotcom



FROM THE ARCHIVE

devodotcom posts on Diane Arbus



3/22/12 The Simplicity of Thought

3/21/12 Have A Great Day!
1/25/12 The Vertical Journey
12/31/11 Happy New Year
11/24/11 The Young Heiresses
8/14/11 Bill Blass Designs For Little Ones
7/12/11 The Full Circle:Prince Robert de Rohan Courtenay
5/17/11 As You Desire Me
4/25/11 The Full Circle: Max Maxwell Landar
2/14/11 The Couple
1/30/11 She's As Mae West As Ever: Mae West
10/16/10 The Full Circle: William Mack
9/25/10 Mrs. T. Charlton Henry
9/05/10 Fashion Independents On Marriage
8/20/10 The Real Miss Cora Pratt
8/20/10 Miss Cora Pratt
7/29/10 The Full Circle: Jack Dracula
7/27/10 Thank Heaven For Little Girls
7/26/10 Petal Pink For Little Parties
5/24/10 Tokyo Rose