I'M A MAN ... ITALY '70'S

I'm a Man

Ugo Coccoli...Massimo Datti

Ubaldo Baratta

Filippo Nativo

Mimmo Siviglia

Bazzarini Italy

Angelo Litrico

Massimo Datti Rome

Loro Piana

Giovanni Valenti

Giovanni Valenti

Rosati

Brioni

Angelo Litrico

...eyes on the seventies at devodotcom

LA LUNA

 

Fashion Whistles

ALL CLEAR

The Invisible Pullover 

"street-length,boldly delineated in black vinyl at the deep v-neck, slit hem and sleeves. Short white silk dress, adding lines of its own in black across the yolk,down the skirt and the three-quarter sleeves."

Harper's Bazaar June 1965

Photography: Avedon

Model: Donyale Luna

Design: Edie Gladstone

...eyes on the sixties at devodotcom

"THE SANTA THAT SCARED AMERICA" DECEMBER 1963

Sonny Liston

Esquire

December 1963

Photography: Carl Fischer

Design: George Lois

Sonny Liston - the Santa that scared America by Stuart Cosgrove - The big Issue 12/19/19

 

50's CHIC

 

"SKI" Pants: News on the Beach

Tropical, 

Topical White

Harper's Bazaar 

June 1957

Photography: Louise Dahl-Wolfe

ALL THAT'S JAZZ 1955

 

Jazz Dossier

Vogue September 1955

Jazz With a Fashion Appreciation 

Photography: Irving Penn

HOLLYWOOD 1963

 

                                                                        Hitchcock

Sun worship beside the hot-dog-shaped pool of Mr. Herbert Cordier. Bikini by Jantzen Hat by Halston

Aldous Huxley

In The Garden

The William L. Pereira Estate Los Angeles, California

Working on a canvas

Rico Lebrun

 

Billy Wilder
Shirley MacLaine
Irma La Douce

Hollywood Is:

Harper's Bazaar January 1963

Photography: JeanLoup Sieff

Rudi Gernreich 1963

 

Rudi Gernreich for Harman in simulated patent leather

Sea Sirens 

Harper's Bazaar January 1963

Photography: Hiro Wakabayashi

IN VOGUE: LEONARD COHEN 1969

Leonard Cohen, over thirty, is a mind-opener for the young. Elusive, driven, with a powerfully soft voice and a trapper's walk, he has written songs, poems, and two novels, The Favourite Game and Beautiful Losers - all with the cadence of '"invisible songs."' 

A Canadian, Cohen lives in transit over earth, brown eyes wary, nostrils on guard, uniformed in this withered leather jacket in the right pocket of which he still fumbles for the Moroccan squirrel that once lived there."...

People Are Talking About...
Leonard Cohen
Vogue August , 1969
Photography: Irving Penn

THE ART OF CHANGING YOUR PART

INTRODUCING: A FACE

“See on the following pages, the changes in this face. Here, it’s a face practically in its natural state. It wears only the standard equipment of American Women: just lipstick and a faint brush of face powder. The hair is merely combed through - not set. We can therefore say,’” this is what she really looks like.”’

“Now - want to see who she can become? Turn the pages and find out what a little time and a lot of make-up can do…"

Verdura pencils and bracelets

Red saddle leather purse by Enger-Kress

THE SAME FACE: "here re-Vamped. The frank and freckled complexion is masqued and paled by a cake foundation and clear-toned powder. Lipstick makes a big change-of-costume for the face: paints on a completely different mouth. The mysterious eyes - no mystery: just black shadow, eyebrow pencil, and a thick fringe of made-to-order eyelashes."

Earrings: Jet and glitter on gossamer wires, gloves by Superb

THE SAME FACE: "wears a light tan in the country; a sun-colour she can put on and take off as easily as her sweater - for this complexion comes out of a bottle of liquid foundation. On the mouth: orange-red lipstick, boldly used. For the eyes: a shadow of green. And she's switched hair colour - just for the day - by brushing in a gilt metal powder.

Her gold glasses at Lugene. Pigskin and fabric gloves by Superb, gilded metal bracelet by Castlecliff

THE SAME FACE: "now a perfectly frank, perfectly delicious phony. Nothing real here at all - neither the lashes, (easily applied in a strip), nor the glitter on the mouth (caused by brushed-on red sequins). It's a fantasy for -well, a big ball? -a charity fashion show? -or just to prove something to yourself?

Rhinestone-paved minaudiere by Evans, earrings by Lido, rhinestone bracelets, Henri Bendel

VOGUE'S EYE VIEW OF 

CHANGING YOUR PART

"There's probably something Deeply Significant in whether those word, to you, mean changing your hair-division or changing your role. But we know that if you change the one - the other, quite likely, may happen.

After all, your '"Other"faces are you too, and there is a special refreshment in suddenly coming upon a new and shining version of yourself." Photograph: Clifford Coffin

Vogue 

October 1952

Photography: Erwin Blumenfeld

POWERGLIDE 1962

The Line on Land and Sea

Hawksbill Beach
Beach chair, suntan lotion, alarm clock for tanning, Geist and Geist cotton shirt over short shorts; Lilly Dache sombrero; Terrycloth robe and beach bag by Porthault

High-key pastel on the high-seas... hooded parka by White Stag
On The Harbinger, Antigua

White in Mohair and simulated patent leather

Cover up: Chic and Casual 

Bold and Brilliant on the Beach of the Anchorage Inn
B.H.Wragge nylon jersey







Harper's Bazaar
May 1962
Photography: Avedon
Model: Suzy Parker

A decade before Twiggy and The Shrimp disrupted fashion’s runways and the pages of high-fashion magazines, Suzy Parker reigned supreme. The forties and early fifties belonged to Suzy’s sister, Dorian Leigh, Mary Jane Russel, Jean Patchett, and a hand full of other top models, the mid-fifties to mid-sixties were all about Suzy.

Raised in Highland Park, New Jersey, Suzy Parker started as a model in her early teens with the encouragement of her sister, Supermodel, Dorian Leigh. Both beauties were dominant forces in the fashion scene, but soon Suzy would break out and be hailed as the epitome of Fifties Glamour. 

Though initially reluctant to use her, she became a muse of Avedon, often a feature of his Paris Openings fashion portfolios in the September Issues of Harper's Bazaar. In Leigh's bio, The Girl Who Had Everything, The Story of the Fire and Ice Girl, he is quoted as saying "I don't know if I can work with someone so beautiful. There may not be enough that I can do to create something of my own." Ultimately they both did. They left behind a plethora of stellar fashion images both intimate and easily accessible.

Gorgeous, with natural beauty and demeanour, she soon successfully transitioned to Model/Actor, blending a career in both disciplines with the support of an adoring audience.

The Wow Factor

Suzy Parker

1932  - 2003

LA LIZ

 

Mrs. Richard Burton

"whose magic radiates as her legend matures, is surely - among all women - the bird of paradise, resplendent and bewithcing; wearing an evening headdress that might have been captured in an enchanted aviary: glossy black coq feathers curve sensuously about her head and throat, framing her fabled face."

Harper's Bazaar October, 1964

Photograghy: Avedon

Design: Anello of Emme

SUN SPLASH 1955

Harper's Bazaar December,1955

South For The Holidays

"The swimmer's suit in this winter's brightest sun color - clear saffron yellow, marked with an arrowy white stripe. in acetate and Lastex by Cole of California."

Photography: Gleb Derujinsky
 

HANDS OF WAR 1943

 "Clever hands. Ready hands. Hands at work. Millions of them in hospitals and offices, at machines in our great war plants. For them, a new nail polish: On Duty, by Cutex, an unobtrusive shade for war work. It is shown here on hands at a drill press at the Delehanty Institute."

Hands On The Job

Harper's Bazaar February, 1943

Photography: Leslie Gill

HOT HOT HOT - CIRCA 1960

 

Golden Girl Look - the ingredients of this excitement: Bronze Lustre, a tanning jelly which tints the skin instantly to glistening, moist light gold. Warm, tawny French Toast Lipstick: Eye Shadow: Eye Liner - deliciously taupy. All by Revlon.

Simone D'Aillencourt

Harper's Bazaar  May 1960

Photography: Melvin Sokolsky

THE MANDARIN MAKE-UP 1955

 

The Mandarin Make-Up

"She's a changed woman. From her glistening widow's peak to the subtle curve of her lips, the lady on the page is beginning something new.

Her skin has the clear, unmarred perfection of white porcelain.

Her eyebrows are plucked and pencilled to slender, winging arcs.

And her eyes have the deep-lashed, inpertinent slant of one of Lady Murasaki's classic Japanese princesses. These are the effects of the Mandarin make-up - a fashion that arrived, this autumn, in Paris on the great wave of Far Eastern influences."

Harper's Bazaar

December 1955

Photography: Avedon

Model: Dovima

THE SUN IS A THIEF ... 1939

 

devodotcom

photography: herbert list

NEW FACES: SPRING '57

 

Dubarry foundation and Color Glo foaming rinse in 'Midnight Panther' and 'Light Up Red' lipstick.

Charles of the Ritz Liquid Veil foundation in 'Camellia' with 'Pastel' Ritz Tint on and below cheekbones. The eyes in 'Dark Brown' drawn in two lines and the lips - 'Perfect Bright Pink.'

Harper's Bazaar

April 1957

Photography: Avedon