Vintage fashion magazines, magazine advertising and editorials in fine condition. Available at ebay store devocanada. "devodotcom and femaleandfatal" hosted by Devorah Macdonald
red and white checked suit, helmut and boots - "an outfit so buoyant it literally floats by itself"
Bill Silano photograph
real red knits
antonio lopez
accelerate with real red knits
illustrations: antonio lopez
geometric
snap ... giant white t's squared twice, front and back by Kimberly
paper power
the paper dress "new far reaches of fashion for the individualist on the beach,when entertaining,to simply fold up when travelling." At left, the paper wrap, forefront, the asymmetric toga. Designs by Sven Lukin
the paper shoe ...
Shoes designed by Kathryn Stoll for Herbert Levine Hiro Wakabayashi photographs
the electric
dress ... "electric light - to switch on the electric dress, new super-voltage fashion to dance the night away unrivaled in any darkened place. A shiny leather-like mini, bare shoulder black swung from strips of straps; slashed open at regular intervals to power-patches that light up from within at the dictates of a battery belt. By Diana Dew
Bill Silano photograph
the july jewel "a sterling silver earshield, thin and weightless as an eggshell, bold and dazzling as armour, punctured by the flash of a single, miniscule diamond." By Paco Rabanne Guy Bourdin photograph
the rising collar scarlet-ringed and standing at attention on navy full-flaring coat over a red-yoked dress by Seymour Fox. Background, the rising collar with gilded chain and buttons by Barberini
the modernist dress in grey flannel by Geoffrey Beene
the whittled tweed redigote by Bill Blass for Maurice Retner James Moore Photographs
"What's ahead for the hand, in years to come: the paisley nail - a work of art for the artful gesture by painter Michael Horn." prescient ...
"Paris' wildest notion: suspended motion. Quicksilver bars gleaming coldly against warm skin - superbly tooled fittings for fluid silks. To hang from the same hardware, a dozen body-molding dresses switched on and off." By Georges Manzon
think of the possibilities
ain't no mountain high enough... Michael Oster plastic globe rings
100 years ahead "Paris flirtation of a scarlet organza hood touching bare shoulders, buckling with diamonds." By Lanvin Frank Horvat photograph Harper's Bazaar July 1967 The Way To Send Up Rockets For The Finest Fourth Ever Photography: Bill Silano
eye on the sixties at devootcom
point the way with paisley nails cut out in paper shoes switch to an electric dress accelerate with real red knits blast off with star spangled eyes no problem. arrive in time for cocktails on the rings of neptune.
Enclosing all the body in yards of silk chiffon, THESCARFSHOE - flying upwards from a jewelled heel. Each scarf shoe, a free-flowing stocking - based on a solid sole - that covers the leg, leaving long streamers of twine around the body. In hand painted silk chiffon by Herbert Levine
Tell me what's new in make-up? devodotcom 2013 "you can do fabulous things to help your eyes reveal the inner melody that's the beautiful, present-tense you." Harper's Bazaar April 1968 Photography: Guy Bourdin
the
mirror
is
the
message
Helena Rubinstein "Elec-Tricks" - Pure color on one side, frosty shimmer on the other.
"Beauty is sight and insight - maquillage a living art that reflects a woman within, changing herself at will just as primitive man varies his masque, dramatizing the many selves he wants to project."
Harper's Bazaar April 1968 Photography: Billy Apple-Bill Silano
Wild Flower Face, Night Flower pearl lustre - John Robert Powers David Webb Hair ornaments Photography: Billy Apple-Bill Silano
THE
THINK
DIET
"Sure way to figure control: put the bathroom scales in front of a full-length mirror. Strip. Is what you see the best you can do?
Flowers shape the body - the rediscovery of the paleolithic double-curve in pettipants by Deanna Littel for Warner's.
Pettipants became a hot item during the latter part of the sixties. The first "pettipant look" was introduced as eyelet or lace trimmed mid-to-full-length cotton bloomers worn under baby doll dresses or gypsy layers as shown on Jean Shrimpton in Vogue March 1969 - see below. The printed pettipants above dealt with ever-rising skirt lengths, insuring some modicum of modesty with style.
