Showing posts with label Paul McCartney. Show all posts
Showing posts with label Paul McCartney. Show all posts

Monday, December 26, 2016

BOB DYLAN 1965




Bob Dylan, the teenager's troubadour came out of the West to wander restlessly through the country, playing and singing his own folk tunes, like '"Blowin' in the Wind."' More of a words man than a musician, he sets his verbal flashes of insight to simple melodies that hush his audience. Now, five years later, his restless wanderings include brief but profitable stops at Columbia's recording studio which is releasing his latest L.P., Bringing It All Back Home.

Harper's Bazaar April 1965
Photography: Richard Avedon








eyes on the sixties at devodotcom

Monday, July 15, 2013

WATCH OUT NOW - TAKE CARE - BEWARE OF SOFT-SHOE SHUFFLERS




Beware of Darkness - George Harrison




"I'm never conscious of being a Beatle. Never. I'm just me."


"I am the most conservative of the four of us. Not compared with outside people....the thing is, we're really all the same person."


"I'm beginning to know that all I know is that I know nothing."


"It'll be nice to be part of history, some sort of history anyway. What I'd like to be is in school history books and be read by kids."



Eyes of The Beatles
Vogue December 1968
Photography: Richard Avedon
Quotes: Hunter Davies, Author of the book, The Beatles


...eye on the sixties at devodotcom


Monday, January 30, 2012

MEASURE OF A MAN - 1968

California Designer Don Loper
all eyes on me

RICHARD HARRIS
Currently starring on Broadway in Camelot, this poetic Irishman born in Limerick, wears his own design of rich velvet edged in black braid worn over a floral-printed chiffon turtleneck.

GEORGE HARRISON
Flared-cuff floral-print jacket 

BYELE-CHURCH
polyester jumpsuit - low-slung belt
ANDREW MENYES
"Bonnie and Clyde" flavoured polyester suit
Illustrations: Fred-Eric Spione

DIVAS AND DANDIES
THE NEW HOST SUIT - PAUL RESSLER
Braid-trimmed Moire
The woman - Joanna Simon

BILL MILLER
SILK MOCK-TURTLE TUNIC SHIRT
The Woman - Anna Moffo

THE EVENING JUMPSUIT FOR THE CONTEMPORARY HOST
O'BRIEN MORRIS
French-cut velvet in brown, blue, gold and red

PAUL McCARTNEY -  JANE ASHER
Moire lapelled double-breasted tux - satin tie and stickpin
REDMAN ITALY
Long six-button double-breasted jacket
tobacco worsted plaided with gold
Illustration: Harlan Krakovitz

GIG YOUNG
Mike Roth of Kuppenheimer's marine motif, chartreuse-on-beige tussah silk jacket


POLITICAL FASHION STATEMENT
THE NEHRU JACKET
Started by Feruch of Paris, the 'Nehru' is marketed in the west. Popularized by the Beatles and the Monkees, the  jacket features a trim stand-up collar and long lean fitted line borrowed from the Indian sherwani or achkan - a coat-like jacket popularized by India's first Prime Minister, Jawaharlal Nehru. 


ANTIQUED BRASS TOE-PLATES
BILL BLASS

Don Lopez Collection
"There haven't been any gentlemen's clothes in the market for years."
A former dancer - Ginger Rogers partner in Lady in the Dark, Don Loper turned to design in 1946 opening a salon in Beverly Hills from where he created screen and personal wardrobes for a galaxy of Hollywood stars. He also had a hand in designing homes, hotel interiors, fabrics, children's clothing  and jewelry. His name has appeared on neckties and cologne and, 1968 saw the  launch of his new 'total collection.'
David Gottlieb for Gino Paoli
slacks - Dunlee

John Hampton walking suit - Leon of Paris
Paul Wattenberg design
California designer Stuart Nelson
Stitch-trimmed Nehru-collared jacket and pants with patch-pocket features

all lives on me ...
Man of the House 1968


Gentlemen's Quarterly February 1968
Photography: Leonard Nones


Wednesday, July 27, 2011

HAPER'S BAZAAR APRIL 1965 THE MOST MODERN ISSUE EVER PUBLISHED



SUFJAN STEVENS - CHICAGO

Jean Shrimpton





"Dick Avedon, at the time the most influential photographer on earth, suggested I work as his editorial assistant on the April 1965 issue of Harper's Bazaar. He had been asked to guest edit the magazine, the first time this idea had been put forward. He had agreed, provided there would be absolutely no control or direction from Nancy White - the editor of Bazaar since Diana Vreeland's departure to Vogue."
Nicholas Haslam
Redeeming Features



The Man of the Moment
Paul McCartney
Cosmic, yes, yes, yes, sends the faithful into orbit with the Mersey beat and Mersey sound of the music he writes for fellow-Beatles, John, George and Ringo.

Harper's Bazaar April 1965

The Mercury Blonde

We were given carte blanche to do what we wanted, and Dick said it unquestionably had to be the most modern issue of a fashion magazine ever published.



Nicholas Haslam
Redeeming Features


op and pop fashion

Venet's point d'esprit brides coiffure

Donyale Luna in Galanos

"In a bar in Chicago, Dick discovered the exquisite, long-limbed Donyale Luna, who would become the first instance ever of a black model being used in a "white" magazine. We photographed her wearing the collection of the American couturier James Galanos. The chief cutter at Galanos, herself a black woman, told James - and us - that she would quit if Donyale appeared in the magazine wearing clothes she had made. Furious, Dick had to capitulate, cropping the pictures so that no telling features above Donyale's long slender neck were visible. On publication, hundreds of readers in the South wrote to Nancy White cancelling their subscriptions."





Nicholas Haslam
Redeeming Features









Norell of New York


"Faced with the first black model, a James Galanos studio employee, herself a black woman, announced that she would leave if Donyale Luna appeared in the magazine wearing Galanos's clothes. As the story was later told, advertisers with southern accounts pulled there ads from the issue; still later, subscribers were said to have canceled their subscriptions, while William Randolph Hearst, Jr., whose family company owned Harper's Bazaar, relayed his displeasure to the editors."

David Michaelis
Vanity Fair December 2009

There appears to be a case of time altering facts upon the recollections above. The issue demonstrates that it is the American couturier Norman Norell's designs that have the infamous cropped heads and the 'Luna in Galanos' display Donyale Luna in full beautiful stature.


Luna in Galanos





Luna in Galanos
Harper's Bazaar April 1965


Night Birds
China Machado in Galitzine

"The exquisite Eurasian model China Machado, "a capuchin monkey in the lap of Genghis Kahn," as Diana Vreeland described her."

Nicholas Haslam
Redeeming Features


Frug That Fat Away
The Death of the Diet
Verushka and Donyale Luna in Rudi Gernreich




Jasper Johns



I persuaded the leading pop artists Roy Lichtenstein, George Segal, and Claes Oldenburg to make huge backdrops and sets for Marella Agnelli, Naty Abascal, and Dolores Furstenberg, the great beauties of the day, to be photographed against, wearing "Space age" clothes by the young Pierre Cardin and Paco Rabanne.




Nicholas Haslam
Redeeming Features



Signora Gianni Agnelli
Agostini Sculpture

Marella Agnelli-The way it's going to be. Ineffable elegance, an aristocracy of being that transcends the illusory in fashion, simply, unselfconsciously exists. In wildly flowered tights, shining vinyl jacket and boots, Signora Agnelli leans on an Agostini sculpture, establishing, by example, the direction of fashion to come.





George Segal
"Women Washing Her Feet"

"The sittings with Shrimpton began on January 2,1965. That morning, in a Trenton, New Jersey, chicken coop, Avedon had shot Pop artist George Segal's white plaster sculpture Woman Washing Her Feet, knowing at this point only that the practitioners of this movement - Lichtenstein, Claes Oldenburg, Stan VanDerBeck, physicist George Oster - might be the issue's '"most interesting contributors,"' alongside commentary by Renata Adler and Tom Wolfe, poems by Lane Dunlop and Ree Dragonette, excerpts from novel s in progress by Alfred Duhrssen and Marvin Cohen, and his own portraits of a laughing Jasper Johns, a clean-cut Rauschenberg. Ruth Ansel, puzzling over the place for shoes to appear - the shoe page was a Bazaar institution - had sent off for a pair of heeled chrome-yellow sandals, which she tossed under the white porcelain face bowl: a touch of Andy Warhol color in Segal's foreboding scene."  


David Michaelis
Vanity Fair December 2009



"I arrived early, along with Dick Avedon and China Machado, an editor of the magazine. A few other people were there also, including Tony Jones. The equipment got set up, Dick did the fashion shots, and then Paul McCartney and Ringo Starr arrived. Everything went smoothly and the guys were fun to work with.
After the photo session was over, only Ringo Starr, Avedon, China and myself remained in the studio. Then Ringo decided to challenge Avedon to a drinking contest.
Now, Dick was not much of a drinker, but he was game, and so they started downing vast amounts of whisky. This could only end in disaster. Or two passed out bodies, which it did. I took a few pictures of the results, which resurfaced recently and which I played with in PopArt Plus to give it a real Sixties feel. Yes, I know — this style is way past its use-by date.
A short time later, as I was packing up, both Ringo and Avedon were laying on the floor — one in the 
bathroom and the other in the kitchen — oblivious to the world. What to do? To make matters worse, a group of Beatles fans were at the street entrance, waiting for Ringo. China made some calls, and arranged to have a private car go to the service entrance on Gough Street, out of sight of the fans. To get Ringo there, I had to carry him across the rooftop, and take him down the goods lift (freight elevator), depositing him in the waiting car."

From Earl Steinbicker's Life's Little Adventures - The Avedon Years, Part XII



Bob Dylan

The teenagers' troubadour came out of the West to wander restlessly through the country, playing and singing his own folk tunes, like "Blowin' in the wind." More of a words man than a musician, he sets his verbal flashes of insight to simple melodies that hush his audience. Now, five years later, his restless wanderings include brief but profitable stops at Columbia's recording studio which is releasing his latest L.P., Bringing It All Back Home.



 The Contemporary Art of Temporary Life
Dali's Discovery Adil
The awakening young faun is also the model for his latest painting, Hermes, which combines pop and op art techniques with a new three-dimensional process, on view this month at the Spanish Pavilion of the New York World's Fair. One name is an anagram of the other; so in a surrealist sense, Adil is Dali....The cool sea nymph appears in an imported maillot of rib-knitted cotton, unlined and white as whitest foam, By Lydia of Roma.

to be continued...