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Showing posts with label Herbert Matter. Show all posts
Showing posts with label Herbert Matter. Show all posts
Tuesday, April 18, 2017
Wednesday, May 18, 2016
CAR FASHIONS SPRING 1949
"news in cardigans" red moleskin over rayon crash sheath by Arnheimer leans on a 1949 Cadillac with 160-hp. engine.
Clare Potter sleeveless blouse in menswear shirting with Moygashel linen skirt leans against a Buick Roadmaster convertible with Dynaflow drive.
"cool coverage" beige rayon crash duster over silk shantung camisole dress by Vera Maxwell. Dorfan bag - Alfred Dunhill; Rawhide case - Oshkosh. 1949 Packard station sedan.
suit and helmut of grey wool jersey from Paris, Jo Hughes - clipped black pearl silver fox by Esther Dorothy. Hat by Suzy. 1949 handmade Jaguar convertible from Hoffman Motors.
pink cotton voile by Charles Nudelman in Chrysler's mahogany-panelled "Town & Country" convertible.
fashions from the editorial "America Through the Windshield" The joys of detours, motels, and the eccenticities of filling-station men by Lewis Gannett
Vogue May 15, 1949
Photography: Herbert Matter; Serge Balkin
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| ...eyes on the forties at devodotcom |
Monday, December 2, 2013
'TIS THE SEASON
The Woman Who Lost Her Head
"This woman is the national nightmare. At the first scent of victory she walks out on her war job, walks into the shops. She buys by the dozen, yawns at inflation, thinks she's pretty coony to stock up while the going is good.
Multiplied by the thousands, she is draining the shops, cornering merchandise needed by others, shooting up prices, paving the way for postwar breadlines. She is the disgrace, the despair of America - this hit and run shopper, this selfish, complacent little woman who has lost her head."
The Woman Who Lost Her Head
Photogrphy: Herbert Matter
Harper's Bazaar September 1943
Wednesday, October 10, 2012
CROWNING THE RUNWAYS - FALL 1965
From mod to sophisticated, hair in the mid-sixties swung from the innovative sculptured styling of international hairdressers' Alexandre of Paris and Kenneth Battelle, to the new creations carved and shaped in the 'London Look' making headlines for new salon star, Vidal Sassoon.
Right Up There
Coiffure and three-tiered postiche by Alexandre of Paris
Earrings by Jean Pierre
Focused on the pure curve of the forehead. Hair pulled back to bare the brow. Good bones and a good coiffure. The biggest fashion in fashion 1965 is the individual. You'll know her when you see her...
Small-skulled hair designed for the Givenchy Collections by Alexandre known as the "Geo.Washington Givenchy." Neat and small with loops of braid tucked into the nape.
The Blunt-cut Burro's Tail by Alexandre - most important single hair-detail out of Paris.
Clinging to his theory that "Hair must be easy to live with, it must move well." Vidal Sassoon created what came to be known as "The Sassoon." The eponymous hairstyle premiered on the Paris runway of Ungaro's fall collections. His revolutionary cut is reported to have found most of young Paris at his knees. Young America would soon follow, with "The Sassoon" emanating from his New York Salon
Points Made By Vidal Sassoon
Beauty Bulletin
Vogue October 1965
Photography:
Irving Penn
Herbert Matter
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| Vidal Sassoon at devodotcom... |
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