Sunday, March 3, 2013

SIMMONS JONES - BEFORE HIS TIME


Simmons Jones once described himself as “an unsatisfactory child”.  He was a boy who preferred ballet lessons to football. A child who turned the side porch of his home into a theatre featuring productions he wrote directed and starred in.


Simmons considered it a treat to be sent to his room where he could play alone and in peace with his beloved marionettes. He was an artist first, and a child only through the lens of others.



As a young adult Simmons wrote obituaries for his mother’s newspaper “The Charlotte News.” He then moved to New York working in summer stock before establishing himself there as a fashion photographer.



In the book, “Parting Curtains: Interviews With Southern Writers, author Dannye Romine Powell asked Simmons “Why do you suppose artists create a world where another reality is going on?”


Simmons replied, “I think it is like, '“Why are some people alcoholics?”'  A major part of that comes with your birth.  I think that an artist is God’s gift. That is the greatest gift you can get.  No matter what suffering it causes you, you have been given the chance to live that life.  The failure to live the life you’re given is the worst sin or lapse.  Then you’ve missed the boat.  The train came through and you didn’t get on it."



An admitted alcoholic and homosexual in a time when both handles were kept mostly in the closet, Simmons rode that train readily and without regret. Later in life he embraced alcoholics anonymous exhausted from years of excessive behavior that took a toll on his psyche.



His book, “Show Me The Way To Go Home,” offers a glimpse of a unique sense of humor developed from the feelings of a child felt neglected by parents he was sophisticated enough to consider comparable to Zelda and Scott Fitzgerald.


Liked to have known him.




Look-Lively Lapels
Gentlemen's Quarterly September 1966
Photography: Simmons Jones

... eyes on the sixties at devodotcom




Friday, March 1, 2013

HAVE A NICE WEEKEND - DONT FORGET TO CHER!


Cher
Glad Rags To Riches
Time Magazine March 1965



All Things Cher'ed at devodotcom

Thursday, February 21, 2013

SHARP SUITORS 1965


Long Tall Texan
Black and White Wool Check-Chariot Print Silk Lining 
Andrew Pallack


Texas-Sized Plaid
Silk Tweed By College Hall
Resistol Hat - Taylor Tie



SWELL.B.J.


Pinstriped Navy Mohair by Cardinal
Fabiani Tie - Knox Hat


New Lapel
 Diamond-Woven Wool Worsted by Hammonton Park
Necktie - Dominique France



Fishmouth Lapel
Wool and Silk Two-Button by Phoenix
Damon Necktie


Pinstriped with White Pearl Buttons by St. Laurie


Striped Mohair Sport Suit By Eagle
Helen Liebert Tie - Ashear Pocket Handkerchief


At Frank Lloyd Wright Designed  Kalita Humphreys Theater
Six-Buttoned Grey Wool Flannel By Chester Barrie
Damon Tie


Tweeded Silk Bold Block-Checked By Delton
Stetson Hat
Background: The White Rock Lake Home of H.L. Hunt


Silk-Look Dacron and Wool One-Button By Timely 
Tie - Gino Paoli


Sharp and Sporty at Six Flags
Blue and Green Rainbow Stripes in Mohair By Top-O-Mart
Helen Liebert Tie - Pocket Handkerchief by Dumont


Nugget Gold and Black Check Silk and Wool Tweed
Fishmouth Lapels - One Button by Ratner
Resistol Hat - Rivitz Tie
Background: John Neely Bryan Log Cabin


Lashooe



SHOT IN THE FOOT

Gentlemen's Quarterly
March 1966
Photography: Leonard Nones

Eyes On The Sixties At devodotcom

Tuesday, February 19, 2013

REID MILES


ABLAZE WITH COLOR
Schoeneman Oxford-weave Dacron and Cotton Blazers
Ascots By Dumont
Photography: Reid Miles


Reid Miles was a graphic designer and photographer best known as the  prolifically creative designer of album covers for the jazz record label Blue Note.  Miles designed hundreds of  L.P. covers for Blue Note often using co-founder Francis Wolff's edgy photography. His incorporation of novel modern graphics, standing alone or alongside the photographs, complemented the modern feel and sound of mid- century jazz.

John Coltrane, Lou Donaldson, Kenny Burrell, Sonny Rollins, Hank Mobley, Bud Powell, Thelonious Monk, Freddy Redd, Herbie Hancock, Donald Byrd -  a sample of the artists produced by the label  established in 1939 and still around today. 



White Silk Suit by Sussex
x'Andrini Tie - Ashear Pocket Handkerchief


Nubby Textured Cotton Silk and Rayon Stripe Blazer by Tarra Hall



No Pockets - No Buttons
Silk paisley-lined by Le Baron



Society Brand Lightweight Wool Jacket
Beau Brummell Tie - Ashear Handkerchief


Tropical Gardens of the Royal Victoria Hotel
Plaid Dacron & Cotton Jacket with  Satin Shawl Collar by Lord West 




Monyagu Beach Hotel, Nassau
White-on-charcoal Hooded Pullover & Swim Shorts - Catalina


Cotton duck trunks by Surf Boy


This fabric was a great summer standard for both sexes... mattress-ticking-striped cotton - here, a slash-pocket, zip-front boating jacket with a hood-hiding collar.


Through Glasses
Knitted Nylon Tricot - New in Men's Sportswear
Shirt-jacket and matching Swim Shorts by Sun City


A Nassau Beach Boat Graveyard
Nylon Boating Jacket by Windbreaker


Nylon Pullover Boating Jacket
Zip-Neck, Kangaroo Pockets by Silton


Fine Voile and Cotton Knit Shirt-jacket by Oleg Cassini


Through the beaded curtains of a patio bar at the Lucayan Beach Hotel, Grand Bahama Island - the textured silky-tweed look of a shirt-jacket and shorts by Bronzini, New York


The Sand Striper
Random Striped Trunks by Catalina


Gentlemen's Quarterly
Nassau - Summer 1965
Photography: Reid Miles

Sailing The Sixties at devodotcom


Friday, February 15, 2013

IN VOGUE 1954


Jean Patchett


David Crystal Dress
Sally Victor Hat
Photography: Erwin Blumenfeld


Mainbocher


Mrs. Leopold Stokowski
The Former and Present Gloria Vanderbilt
 ' The Butterfly' coiffure by Michel of Helena Rubinstein
Illustration: Rene Bouche


The Week-enders
Her in Kenneth Tischler
 He in Haspel
Illustration: Rene Bouche


Mrs. Amory Carhart,Jr.
Philip Hulitar and Maximilian
Photography: John Rawlings


Salvador Dali's Royal Heart
 A honeycomb of rubies, throbs within the solid nugget-gold pericardium of Dali's Royal Heart
Photography: Irving Penn


The St. Regis Roof
Filco Dress
Weiss Rhinestone Jewellery
Photography: Karen Radkai

Vogue May 15, 1954

Eye on The Fifties at devodotcom