Showing posts with label Givenchy. Show all posts
Showing posts with label Givenchy. Show all posts

Friday, April 10, 2015

THE LOOK FANTASTIC 1952




mainbocher

the dinner dress 
day-length with an intricacy of straps that makes a great point of good chest and shoulders - silk lame brocaded with golden threads. Jewels, van cleef and arpels









the dinner suit

jean patchett in mainbocher's gray cut velvet dinner suit. the jacket buttons to fit like a bolero, the strap of the bodice is mounted with a big bow of pale gray mousseline de soie.












this is the way givenchy grows roses



"everywhere one looks in paris there are those roses - sometimes in tapestry, once in ivory, often of beads - heaped on shoulders, hidden in petticoats and, particularly, when used by givenchy, flamboyantly romantic."

above - king sized, planted above a black velvet dress. the stole rises above bare shoulders like a ruff - the woman's arms plunge through great rosy handcuffs.







suzy parker in givenchy's deep red roses. a bolero of a thousand chiffon petals piled above a strip of black wool. darker than the roses, and velvet, the back-of-the-head turban.












the fifties party face


"brush your hair upwards for the lifted look it gives. make your eyes with pencil lines slanting towards the temples. make your mouth to tilt high in the corners. this is the season that shows in your face."









the italian haircut


on the rock shores of ishia and capri, the film studios of rome - another shape. studied but with great naturalness, front and sides full and wavy, high behind the ears but gripping the back of the head, well down the neck with feathery, nibbled ends. the head looks bigger, the hair never moves. 





... eyes on the fifties at devodotcom

Tuesday, March 17, 2015

WHY III LOVE THE MOON












be careful where you look for love...



The Freedom Face - Cathee Dahman in Strega Rings - Richelieu






Strega






Leo Narducci










Edie Gladstone for Deebs - Halston hat - Herbert Levine boots








Anne Klein - Viola Sylbert








Givenchy







Balmain







Dior








Saint Laurent








Gres







Ektor






Cardin







Chanel







just be careful where you look for love ...


Make-up and coiffure, Arnold of Elizabeth Arden



Paris October 1967
Photography: Hiro Wakabayashi



... eyes on the sixties at devodotcom


Thursday, February 19, 2015

BALENCIAGA GIVENCHY WINTER 1962





Balenciaga's newest evening dress: discreet, unjeweled, the year's most unexpected ballgown. In white silk cloche, clinging at the bosom, low and wrapped in back.









Balenciaga - ermine robe shaped in the round, lightly sashed in candy pink satin.










Givenchy's discreet young dinner dress, light as foam, the quintessence of slender elegance in charcoal gray satin-backed crepe. The bateau neck pulled high by a drawstring; the bodice, draping an unmarked waist.









Givenchy's ruffled black satin  organza dinner dress. Harry Winston jewels. Roger Vivier shoes.



Great Exaggerations
Harper's Bazaar November 1962
Photography: Richard Avedon
Coiffures: Alexandre of Paris

Monday, February 2, 2015

THE LOOK 1960





The Great Greatcoat - The Great Look


Carmen Dell'Orefice gloved, turbaned and wrapped in natural Cabana Marrone nutria, pelts set on the horizontal, by Bernhardt. Hat, Mr. John. Joseph Mazer necklace. Trefousse leather gloves. Handbag, Koret. 










Suzy Parker in Mainbocher









Norman Norell's culottes dress in a vivid souffle of pink flowers.














Catching The light: This Season's Brilliants

Carmen dressed up casual in an elongated black wool knit overblouse, a chainmail of pinkish beige and black sequins in a leopard-spotted pattern. A new look worn in combination with a straight wool knit skirt. By Goldworm.









More Brilliants: dusty mauve and navy blue seamless stockings, crystal-coloured jacquard lace hose are interwoven with sparkling nylon for a shimmering effect.

The shiny nails are complements of Juliette Marglen's new Stained Glass Collection.










Blue silk matelasse three-quarter-sleeved evening coat by Originala










Bow-fastened blue satin stole riding over a strapless dress with swan-shaped skirt. The hem is lifted ankle-high, rising gently to a point in front. dipping deep back. By Sarmi. Albert Weiss earrings, Christian Dior pumps.










Carmen wears Norman Norell. Cafe au lait and white velour decoupe, the cuffs, circles of Russian Sable.







Bravo Balenciaga







Draping sweeps the shoulder and - with the first step - cascades into a floating panel that reveals the knee. In deep purple satin chiffon by Balenciaga.












Black organzine encrusted with glittering jet and midnight blue embroidery enveloping the figure in Givenchy opulence.








Givenchy Greatness


Chinese pink cloque wraps the body asymetrically in a diagonal swath the stops in a huge bowed-sash.








Crushed black silk jersey with the simplicity of no more than a deep neckline. By Galanos.






Jet-embroidered black lace on white satin atop a loosley gathered bow-graced waist. By Edward Abbott.









White jersey column-shaped ballgown classically draped by Tarquin Ebker. Albert Weiss earrings.








Sequined pink roses on a waterfall of white sequins by Rappi. Necklace and earring by de Firenze.









Mauve lame ensemble of a side-tied top and long skirt by Mr. Mort Sportswear. Marcel Boucher bracelets.










Sequins go casual. The jeweled polo shirt, crew-necked, lightly sashed, and extending to the ankles in stripes of crimson sequins on white crepe. By Kasper for Arnold and Fox.



New Fashion Drama
Harper's Bazaar November 1960
Photography:
Richard Avedon
Lillian Bassman
Saul Leiter
Melvin Sokolsky
Francesco Scavullo

...eyes on the sixties at devodotcom


Thursday, January 22, 2015

LOVE, MYSTICISM, AND THE HIPPIES





Sue Murray in Castillo's metallic jibba. Hair by Carita, hair 
ornaments by Sant'Angelo.







"The female woman is one of the greatest institooshuns of which this land can boste."
Artemus Ward









Marisa Berenson in Tina Leser's jewel-sparkled golden silk gauze caftan. Hair: Alexander of Paris. Rings: Gripoix. Photographs: Henry Clarke










Day-glo pink caftan with jeweled bands across the bosom and down the front. From Valentino for Movie Star. Pearl ring from Gripoix.









Vogue Pattern 7030: in velveteen with ostrich feathers







Vogue Pattern 7031: in pale velveteen with white ostrich feathers. Vendome earrings used as rings. Ara Gallant coiffures. Photography: Alex Waldeck.








Dorian Macksoud quilted georgette tricot dressing gown embroidered with gold.









Poncho pointed-hem night dressing with lace trim by Van Raalte. Marvella ankle bracelets.









Black chiffon nightshirt with ruffled-cuffed sleeves by Fernando Sanchez for Warner's photographed at the light-filled apartment of architect, Paul Rudolph. Photography: Alex Waldeck.










Twiggy photographed by Bert Stern in Sant'Angelo's bangle-harnessed mini-dress armed with his bright plastic bangles and an Omega watch. Three rows of Saint Laurent for Colony gilt links at the waist. A Rolex watch tacks down mink tails by Hausfeld.










White band through an a-line of navy mini-dress by Kasper for Joan Leslie on Penelope Tree. Photography: Gianni Penati.








Penelope Tree in bared-ringed midriff mini of white pique. Jean Campbell for Sportwhirl. Lower left: beaded neckline on a caftan of pink cotton jacquard by Perfect Negligee.








Chopped white cotton jumpsuit by Malcolm Starr. Earrings: Cassandra Hughes. Jeweled rope by K.J.L.









Under the shade of a Mr. John white-straw cartwheel hat, Penelope Tree wears orange blossoms on a printed cotton shirt with matching bloomers by Jax.










Bloomer girl in white swiss cotton by Jax.








The end-all panty stocking by Round-The-Clock. Legs hook onto the panty.








Givenchy's Wings-of-Brilliance coats flown over chopped jumpsuits

Lame over lame







Coupe de velours over crepe
Photography: Irving Penn






ravishing people


"The Ravishing Man," hairdresser and boutique owner, Paul McGregor in his jeans and t-shirt hand-painted by artist Saint Amant.



bottom left: Richard Burton's ex-wife Sybil with new man Jordan Christopher at their nightclub "Arthur."
bottom right: The Armandp Orsini's in Orsini's.





The Then Mrs. Peter Sellers, Britt Ekland










Jim Morrison (on the street with model Donna Mitchell) the lead singer with "The Doors," a man who looks like a lion, and who, according to one admirer, feels he "has to get his message to every woman" - a message every woman who sees him, gets. Donna Mitchell is in a "stretchie" from Etcetera.







Photography: Alexis Waldeck






Faye Dunaway in Jax






Vanessa Redgrave takes on Isadora
Photography: Norman Parkinson



men, now



Don Jaime de Mesia Figueroa, son of the Duke of Tamames, twenty-one, in front of his Matra Prototype/600 dressed in Diego Ruiz, Madrid.





Lord Hesketh







Christopher Sykes                     Tatton Sykes


                                  Stella Astor





Jenico Nicholas Dudley Preston, seventeenth Viscount Gormanston and Premier Viscount of Ireland. His pale yellow suit is from Michael Rainey's shop in Chelsea.









Thomas Patrick John Anson, fifth Earl of Lichfield, also Viscount Anson and Baron Soberton. Also, photographer Patrick Lichfield who took this triple self-portrait.






and took this portrait of a very gay Duke of Windsor with his Duchess.









Hero of the hour in the shirt of the moment. Turnbull and Asser's turtle of silk satin.








Patrick de Barentzen's side-closing white satin shirt with black braid, 






Turlteneck shirt with back and side-zip closingfrom DeVoss, Beverly Hills.




Silk paisley-lined shirt of charcoal glove leather. To order at Elaine Starkman.





Twiggy with shoulder strap bags, lucite rings by Bernard Kayman, Earrings by Flemming. Sant'Angel chain at the neck holds a flower-faced watch by Old England. Buried among Sant'Angelo watch bands and bracelets: a Timex electric watch.


Laquered torso by Courreges

Sky-blue nacre sequins, organdy windows, daisies with hearts of gold.





Ungaro







The Final Word

Closing the Courreges Collection - his brides in Super-nonclothes. 



The Way to a man's hearth
At-home fashion that makes you feel you're adored
Vogue November 1967



... eyes on the sixties at devodotcom